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artist's statement

Most of my work exhibits merging dualities. This stems from influences such as illness, culture shock, and identification with ideologically conflicting sides. The dual impact of these events - the combination of fortune and misfortune - motivates my interest in the unity of opposites, and the ways in which they are integrated or interchangeable. Firm ideologies become meaningless, and questioning or just experiencing becomes more valuable. This sentiment propels my artwork, and is also what eventually led me to pursue science.

budding experiment (detail), 2006 My involvement in science ultimately caused a personal transformation, which is reflected in my current artwork. During my pursuit of chemistry, moments and events gradually acquired names, and the world turned into a language of formulas. But once something could be named and broken down, it no longer contained its sublime, powerful anonymity. As a result, and despite my continued love of chemistry, I experienced anguish and a desire to find other ways to explore the enigmas of life.

Instead of serving as a means of self-expression or communication, art now fulfills the same role that chemistry once did: it is an avenue of inquisition and discovery. Unlike chemistry however, art aims to reveal questions rather than answers. While working, my meticulous mechanical side and my unrestricted intuition function in unison, resulting in a silent, meditative approach to time, technology and the contingencies of life.